Course Content
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Theory: Presentation of the main diversifying characteristics of Ottoman-Turkish, Arabic (Maghreb and Mashrek), Persian and Indian classical music traditions. History, modal systems, rhythmic systems, compositional and improvisational forms, instrumentarium. Focus on the Ottoman-Turkish classical and Sufi traditions for a detailed presentation.
Workshop: Practice on the oral recognition ability of structural and morphological characteristics of acoustic examples of the above traditions.
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Recommended Bibliography
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Skoulios, Μ. 2009, “Η θέση και η σημασία της έννοιας της κλίμακας στα ανατολικά τροπικά συστήματα στο Μουσική (και) Θεωρία”, Τετράδιο Νο 5, Εκδ. Τµήµατος Λαϊκής & Παραδοσιακής Μουσικής
Feldman, W.Z. 1996, Music of the Ottoman Court.: Makam, Composition and the Early Ottoman Instrumental Repertoire, Berlin: Verlag fur Wissenschaft und Bildung
Farhat, H. 1990, The Dastgah Concept in Persian Music, Cambridge Univ. Press
Bor, J. (ed.) 1999, The Raga Guide, Nimbus Records
Kaufmann, W. 1968, The Ragas of North India, Bloomington, Indiana Univ. Press
Marcus, S.L. 1989, Arab Music Theory in the Modern Period, Ph.D. dissertation, University of California, Los Angeles
Signell, K. 1986, Makam: Modal Practice in Turkish Art, Music New York: Da Capo
Touma, H.H. 1977, The Music of the Arabs, Portland: Amadeus Press
Zonis, E. 1973, Classical Persian Music. An introduction, Massaschusetts: Harvard Univ.Press
Skoulios, M. & Kokkonis, G. (2005) “Théories et pratiques modales de l’Orient: un itinéraire” στο De la Théorie à l’Art de l’Improvisation. (Ayari, M. éd.) Paris: Delatour
Skoulios, M. (2005) “The Musical Language, Greece: A comparative approach” στο Music in the Mediterranea, Modal classical traditions, Vol.2 Theory and Practice (Feldman,W. & Guettat, M. & Kerbage, T. eds.). Thessaloniki: En Hordais
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